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Europe Journals – Part I

Europe Journals
Tim Donlan

Part I

Prelude – Out to Sea
9/5/04

In the morning, shuffle my bare feet across rough asphalt down to
the beach. It’s a blustery gray day, and the sky and sea is
desaturated, as if the color has been sucked out. The horizon is
a mundane line where the curve of the earth hides vast stretches
of the abyss, beckoning.

I dip into the water, letting the waves pull me south and out.
The wind is brisk, biting into the swells like countless teeth,
dimpling the salty crests.

And the morning sun, filtered through the ill-defined clouds,
latches onto those dimples, sparkling like a million untouchable
diamonds.

I drift like a dead buoy, the dirty sand and silk bruising
against me in playful pushes, thousand ton tugs. And in that
mindless, colorless morning, I remember.

The other day I had a lucid dream. A dream not only filled with
astonishing clarity, but the central sole beautiful ability of
consciousness. Most dreams are movie theaters under the influence
- untouchable images and visions rolling past on the 35mm reel of
the mind.

But a lucid dream is different. Instead of watching a dreamscape
through the fixed lens of unconscious, I was the director and
actor. The setting wasn’t completely mine; I couldn’t teleport at
will. But I could talk, walk, move, feel, look, touch.

I remember arcing through a bustling city street in the back of a
taxi, some smooth skinned young thing in my lap. Of course I
groped and prodded. My lips battled her red wet smile, and her
skin was supple silk under my fingers.

And then I remember being shirtless in a gray room, jaws clenched
in some forgotten fury. On the wall was a frosty mirror, and I
had the conscious wish to walk over to it, look at myself.

Of course, the clouded mirror was appropriate. In ordinary
dreams, recognition of a person is instantaneous. Features and
faces are not defined in perfect clarity. And yet, when I saw my
face in that clouded mirror, it indeed was my face. At the same,
it was the face of another. Some deep-seated childlike confusion
with reflection must have been unearthed.

It’s no great secret that recognition is easier
than recall. I assume that axiom holds true in facial recognition
as well. The fact I could not draw a picture perfect image of my
face in the lucid dream illustrates this well. Facial memory is
probably a lossy algorithm; this facilitates speed and meaning,
which are far more vital to the human mind than bulk image
storage. Perhaps data storage of images other than text, should
keep this philosophy in mind. Text is by definition abstract, so
information processing is a default attribute. 3D and 2D images,
coded in binary, share none of these attributes. If semantic
qualities could be given to images, a semantic language could be
designed for image manipulation.

…The semantic engine of our minds – such a blissful thought.
Organic Turing machines churning on a windy overcast day,
wallowing in the surf. Moving by impulse and biochemical demand,
as innocent and blameless as the seafoam bubbles, prisming the
sunlight like rainbow oil slicks, pushed by the wind across the
flat, gray expanse of the wet shore.


Amsterdam
9/9/04When I stepped off my plane at Schipol Airport, in Amsterdam, I
was a complete newbie. I walked around the terminal for a good
hour wasting time, looking into various shops, withdrawing a few
hundred euros, before I grew the balls to go up and ask the blond
Dutch lady how to get to Amsterdam. Mastering public
transportation can be tough initially, but after the first day I
was a pro.If you were to draw a rough map of Amsterdam, it might as well
look like this:

But at least it’s fun to get lost in. Amsterdam favors natural
motifs, creating streets in elliptical orbits, with quaint
bridges spanning the encircling canals, like the spokes of a bike
wheel. There are charming windy brick passageways between narrow
four story houses, the occasional hoary iron gilded behemoth from
the golden Dutch past. Lazy canals, moss lined and swamp like,
and numerous troll guarded bridges. Small, narrow alleyways
teeming with shops.


Beaming girls with streaming blonde hair and sharp cheekbones,
gliding along crowded bike paths.

Coffee shops are dark bars where travelers roll joints and listen
to music, bathed in a hazy earthy aroma.

In the Red Light District, red neon squares form prison cells,
with a girl in question for sale. It’s window-shopping for
whores. Catering to all fetishes and styles, there are California
beach bunnies, European trash sluts, black hoochie mamas and
lithe Filipinos that look to be fourteen. Surprisingly, the Red
Light District isn’t all that big, and can be hard to run into if
you’re just out for a stroll.

My Hostel, Hotel Anna Marie is very much like a dorm, with
laughing rowdy kids abusing chemicals. The owner is the
friendliest guy you could imagine, fixing breakfast, answering
questions, and even rolling you a joint.

As much as cultures change, guys going out to drink beers and
watch sports is consistent. I did this the other night with an
American, a Canadian, two Brits and an Aussie. I think one of my
Australian roommates tripped on shrooms two nights in a row; he
was sleeping and moaning in his bed for 12 hours straight.


When I walk through the streets, glaring at my reflection in
the store windows, this young American tourist, I think about
culture. I think about the countless small things, the
differences, and where they come from. Is Europe more logical
than what I’m used to? How does European culture affect the local
mindset, the worldview of its citizens?For example, take transportation. Like many cities, the streets
are often chocked full with deadlocked cars, inching and jerking
along, blaring horns and radios, smog belching trucks, and
swarming pedestrians. This is certainly true of Amsterdam.

However, the streets are split into lanes for cars, trams and
bikes. Pedestrians get separate crossing lanes from bikes or cars
or trams. I would estimate a large percentage of the locals use
bikes to get around. This covers all demographics; from
businessmen with suit coattails swinging behind, to high school
and college age kids, woman shopping, and of course those
stunning blondes.

The learning curve to adjust to these things is quite small, and
by days end you wonder why the hell isn’t there anything so
genius back in the States. What the hell is the reason? Is
America deficient? Heartless?

An English guy named Andy remarked that America was the most
wasteful country on Earth. I couldn’t disagree, only precipitate
the mental imagery to clenched-jaw fruition. I kept visualizing
cut scenes from old John Wayne movies, WWII propaganda, Hellfire
Christian ministers and commander in chief George W., clad in
boots, a big hat and twirling his chrome six shooter. We’re the
rowdy straight-line cowboys of the world. And while the
Netherlands is friendly, organized, clean, fun and above all
rational, I can’t help but think this leads to a kind of blissful
apathy. Only through constant pressure can progress continue.
What kind of progress though? You have to wonder what
“progress” and “world superpower” mean. A
work ethic, booming industry, and the power to subjugate lesser
peoples. Yeehaw.

I plan to head to France tomorrow, taking a long train ride
south. Hopefully I can reach Josh by Monday on the French
Riviera.


On the Move
9/11/04
Today (this fateful date) was trains, endless parallel iron
bars running across the countryside. The great thing about trains
is that they go from point A to B quickly and cheaply. The bad
thing is if you screw up, there’s a huge margin of error. Today
demonstrated that terribly.I caught the train from Amsterdam to Paris. However, I missed the
first connection and then the next train was late, throwing off
the schedule by nearly two hours.

The Dutch and northern French countryside is very peaceful, with
smooth rolling hills and cookie cutter plots of wheat and corn.
In the distance are stacked blocks of simplistic masonry centered
about a dark Baroque church or a crumbling medieval tower of
bleached stone. A few windmills turn silently, waving bright
flags.

Here, the sky is vast, with multi-tiered cloud formations
towering in cataclysmic luminosity, like the breath of God
against a cold backlit window.

It was dark and gloomy when I reached Paris. I really had no clue
where my hostel was, but I figured it was in Belleville, since
that was where the smudged postage-stamp sized map said on the
computer printout.

I asked a pretty girl at an info counter which train to
Belleville. ’21′ she said. ‘Merci’, I muttered, shouldering my
sagging pack. Whether through ignorance or malice, that girl
sealed my fate. Little did I know this would be a big mistake, a
one way ride on a train of doom!

I looked at the pathetic map in the train car, without any
orientation, of a place I’ve never been and a language I don’t
understand. It did say it went to Belle, though. Perhaps it was
close to Belleville? I thought. Wrong!

I figured I’d take the first exit and look at a map; see if I was
going the right way. My trepidation started to build when the
train hadn’t stopped in ten minutes. With lingering dread at
twenty minutes. At thirty, I was just a resigned poor soul,
knowing it was very doubtful I’d reach my hostel. It was now
approaching eleven. I got off and stumbled with language, trying
to find out if there was another train to Paris tonight.
“Non” the lady jibbers with a glazed look, her face
devoid of any concern. No taxi. No Bus. No Hotel.

So I’m stuck in a dark North Paris suburb of Persan-Beaumont,
with no place to stay, no one around. I have a forty-pound pack
on my back, so conspicuously out of place it hurts. It seems
Europe mostly shuts down at eleven, except in tourist trap
locales like the Red Light District. I stand at the platform for
a few minutes, pondering my course.

Staring north into the blackness of an abandoned train station,
it comes like a horrific nightmare. A dirty brown locomotive,
trailing behind jagged cars of petroleum. It is colorless in the
haze, a monochromatic master, traveling fast enough to melt the
tracks, horrible metal corners and wheels cutting the air apart.
And then it is past, a vacuum in its wake, screaming into the
night.

I walk through town like some explorer or solider, no knowing
what I’m gonna do but contented to do something. Eventually I
find a map, rotate myself towards a large green rhombus, and lean
into the shoulder straps. Robespierre Park.

There’s a group of young guys sitting around a picnic table in
the corner of the park, jabbering on. They begin to shout
nonsense at me, and because I’m completely ignorant, I feel no
social qualms just to wave my hand and keep walking, feigning
deaf ears.

The park is dark, with a pond and stream sheltered by big mature
trees. They put out quite a canopy, so the back of the park where
I make my camp is shrouded in shadow. Out from under the trees, a
splendid night sky is doing battle against the city of lights,
winning. More stars than in Atlanta, the air must be considerable
less carcinogenic and smog filled.

A chill wind ripples across the pond and through the billowing
tons of leaves above, sounding like rushing rain. But thankfully
the sky is clear, save a single wispy cloud trail snaking across
the constellations like a set piece for Les Miserables. I keep
thinking of a black-cloaked Jack the Ripper character, stalking
through the trees, to pierce me with fear before slicing my
throat.

Perhaps that’s why this was a defining moment, something to
write about. Rather than the amused stoner smiles, weaving
through carnal canals of Amsterdam – it is a night shivering
outside in a park under the stars. I began to think about it a
while ago – a well-spent life isn’t about being happy all the
time. It’s about living through adventure. It’s about being able
to adapt, triumph and flourish.

The opposing thought chains dance around and motifs are exposed:

History, Horror, Humanity, Heroism.

This isn’t a trip about having a really fun time. It’s about
groking the wide world, and in turn, groking oneself.

In the morning, I wake up sprawled on dewy grass. I get up, piss
against one of the giant trees, then trudge back to the station.
I didn’t have to pay for a hostel, and the only scars from the
ordeal are a few dirt stains on my fleece and cargos. I write in
my journal on the train ride, all the way into Paris.

Europe Journals – Part II

Europe Journals
Tim Donlan

Part II

Paris
9/12/04

A warm guitar lulls between the many gentle conversations of the
crowds, playing Bach, Beethoven, traditional ballads. Spread
before me is Paris. I am sitting on the steps of the Sacre Coeur.

Just the tops of trees end after the botanical gardens, and it
is forever buildings, stretching across eras. Cathedrals and
monuments in dark stone and granite. A handful of skyscrapers
rising anachronistically over to the right. But most of it white,
tan and pink masonry, topped with metal and slate roofs. These
glare in the sun like a king’s fortune of jewels tossed into a
three-year-old’s Lego pit. The clouds are thick but tiny, so they
glow from the overhead sun like they’ve gone radioactive.

Things just don’t sink in. Sentences like: “I’ve a degree in
Computer Science,” and “I’m touring Europe for a month
with my best friend from childhood,” just don’t register.
The magnanimity of the statements seems to lessen the effect.
Emotionally, I feel like I’ve just graduated high school and its
a lazy summer ahead of me. The true future is far less serene, or
as lucid.


In reality, I’m sitting in front of a busy street. For me it’s
a thoroughfare of culture, and the round edged, pussified cars
streaming by are just a component.

Two tiny girls, one riding a bike and the other a scooter,
sail past me on the sidewalk. Who will they become? Their mother
strides by with a quick step, blonde hair coifed and slicked
back.

If this were your home, what would be your axioms? What would set
your principles in stone so you could spiral away in brilliant
fury, still forever encapsulated in the “set” of
culture? I want to ask these girls, these denizens, what they
think of America. If I can clunk the French into a single
sentence: Artsy, pastry nibbling, wine sipping, highbrows (snobs)
still coasting on grandeur from centuries past
. It’s half assed
and certainly isn’t fair, but it’s my quick and dirty guide to
looking at France. How would they clunk America?

I’m sure they would have some good reasons why their
ideologies and worldviews are superior. And I wouldn’t disagree.
Only mark up another notch on the scoreboard for relentless
cultural influence over a poor monkey in a cage. Can we blame
these people for who they are? Can we even give them credit?

I can imagine watching chimpanzees chattering and scratching away
over a beer and banality. How mundane and ultimately satisfying,
to see rats run a maze with passion and purpose. How different we
assert ourselves, with monuments and cultured flourish.
Aesthetics. Civilization is our biofilm. Communication is our
vector of exchange. Perhaps diabolical and pathological, but in
the end expected, organic.


I was moving through the underground catacombs of the Paris
subway, heading for the ancient heart of the city when I heard
soothing chords. I came across a string orchestra playing an
ominous piece of Beethoven. This was no string quartet; it was at
least ten young men and women expertly playing violins, violas,
cellos and string bases. They sounded enticingly fresh, echoing
through the deep arched tiled corridors and passageways. I was
heading down towards my metro connection, away from the music,
when the piece changed.This was a bittersweet ode to life, dipping down and rising up,
all in harmonious perfection. I had to turn around. Holy shit
this theme latched onto some emotional handle, as though I was a
mere marionette, hooked into some sobbing machine. The melody
must be hardwired into my brain somehow, and the composer was an
absolute genius to capture it, transcribe it into notes and time
signatures.I am now sitting in a glorious hard stone headquarters of a
millennium long institution. The structure does not betray its
legacy in any dimension. The Notre Dome Cathedral in Paris. Hell,
I’m an atheist and this rumbling, cascading, waterfalling sonance
spilling forth from the mile high organ, coupled with
architecture to match the sound’s glory – could make me bow down
for an eternity.

People (American apathetic atheists) are very ignorant about
the power of the Christian memeset. I see now how overwhelming
glory flows down the lines of history – familial and cultural,
ominous and eternal. Dirty farmers watching, wet eyed in rapture,
the burning incense rising into the stone rafters. Concentric
rings gently expanding in a golden basin of holy water. Walls of
prayer candles blurring into a yellow sea from those spiritual
tears. And music, blessed music.

These sound waves emanating from the practiced choir, and even
the unwashed masses, wrap around the shaped rock, spiraling ever
upward to reverberate with statues of saints and stained glass.
Harmonies arranged by pious ministers and priests, monastically
tied by blood to that metameme.

And from that pattern seed arose such beauty.

Candlelight, cold stone, Latin and harmonically perfect
architecture – seeds, and strong points, of the greatest religion
to infect the world.


At the Louvre Palace, the spectacle of grandeur continues.
Life must have been insignificant next to these monoliths. What’s
more astounding – the intricate mason work, architecture and
sculpture, or the fact there is no living plant life for acres?
Such gall and belligerence by the people of the past, same as it
ever was.


Chamonix
9/14/04The French Alps are jagged teeth with pure white caps. Riding the
train in through the dense forest, the tops were just barely
visible. Most of the mountains were gray brown stone, hazy in the
distance, but the tallest of them, Mont Blanc, gleamed far above
in a frigid tempest. Swirling around the summit was an extremely
dense cloud, white as snow. It’s churning appendages looked like
a ravaging avalanche, crashing downward.


I met Josh on the street, trudging up through cafes and
patisseries. Our grins were probably equally beaming, and we
shook hands then embraced. After only one day, I can say with
confidence his personality has not changed – impulsive, fun,
intense, directed, somewhat demanding. The same Josh. I assume he
says the same of me – crazy, aloof, etc.

We spend the rest of the day taking a scary steep gondola above
the clouds, up onto the ridgeline opposite majestic Mont Blanc.
On the way up, listening to rickety cables pass through pulleys,
and the boxy car swinging in the wind – we could see
parachutists, spiraling like birds, catching updrafts and
currents, soaring down into the valley.

The exercise was good, and the scenery gave all the pain
purpose. There is something to be said of physical exertion and
activity that cannot be matched through simple stimuli of the
senses. Pumping muscles – locomotion – moving through the
physical plane of reality. Your mind wanders and sometimes goes
off the hook, and you are reduced to a rock climbing, mountain
hiking automaton, eyes glazed with the reflections of sparkling
glacier lakes and craggy peaks.

We decided to stray off the beaten path, avoid quad wounding
switchbacks, and go horizontally across the slope of the
mountain. This turned into a very time consuming tactic – to say
nothing of personal safety.

It was about a 45-degree incline, with wet grass and needle-like
shrubs, sprinkled in parts with wild blueberries. Rivers of loose
rock and boulders made their tumbling way down from the ridge,
and we made tedious, precarious progress, often sliding a few
adrenaline pumped meters in the wet grass or pebble causeways.


Much laughter, and of course – joshing – ensued.

Our water supply dwindled and we were still a good couple of
hours from the gondola drop off base camp. We decided to make our
way down to a glacial lake and refill, albeit wary of unknown
diseases and pathogens. We certainly didn’t want to spend the
remainder of our French Alps jaunt crouched over a stinking
toilet, reeling with dysentery.

We rock jumped for at least half a kilo, turning our feet and
tendons to hamburger.


Eventually we found a path, hovered above the sparkling lake
to dunk my empty plastic water bottle, and then scrambled back up
to the ridgeline.

In a rocky dip of the trail, surrounded by the menace of
boulder-strewn walls, four mountain goats appeared into view.
Merely a few dozen meters away, Josh and I had no idea where they
had come from. Languidly, they nibbled the grass sprouting
between the boulders, looking up into Josh’s camera lens without
fear, slowly chewing. They dwindled into the rocks, bowing their
horned heads to eat, and we left them behind with hurried
strides. Within the hour we were back to the rickety cable car,
famished and tired. We got some ice cream, thumbed our noses at a
herd of Japanese tourists, then descended to the mountain village
of Chamonix.


Annecy
9/14/04We arrive with trepidation, twenty kilos on our backs, trudging
with sore muscles through the drab urban streets. I’m still warm
and buzzing from two bottles of wine on the train. We approach
they darkened Hotel with wary, nervous and half joking smiles.
When we ring the bell, an old crone peers out of a window, framed
by foliage and wilting red flowers. From her wrinkled lips spills
forth a barrage of colloquial French gibberish.

I am the clueless outsider once again, sullenly smirking at
typical French shittiness, but Josh is my savior. This is an
amphibian-eating hag from Triplets of Belleville, and Josh
negotiates the perilous frog speech like a local, or at least an
Ace student of French IV. That’s Josh for you, weaving expertly
into the wavelength of culture to elevate his own kingship.

We get a private double for 25 Euro. This is probably the best
deal in town. I’m relieved, but I didn’t have all that much
emotionally invested, cause I’m the eternal aloof apathetic. Josh
couldn’t be more ecstatic, promptly bringing out the chest
thumping good-natured boasting.

I lounge on the lace bedspread in a room that looks like it
hasn’t been renovated since World War II.

Minimalist white IPod headphones plugged into my ears, tome sized
schizophrenic composition book spread before me, two free rub on
tattoos kissing the back of my hands. One is a glaring pirate and
the other some twisted thorned Van Gogh vine.

Alanis Morissette moans, whispers and cheers in my ears. Her
honest desperate girl power lyrics force an encroaching smile, a
warm wetness in the corner of my eyes. I could care less about
the looks of a girl, if only she had this mind, these words on
her wet lips. I’d love her for a few lifetimes.

On the train, Josh and me talked about literature, dreams, and
goals – a conversation of true depth. When was the last time I
had one of those – the teary eyed acid exposition to Stephanie?

Drifting through Europe, catching some wicked thought patterns, a
transient transplanted, a future untold, aging, clenched jaw and
fist, white tooth glaring smiles, embraces, and inevitable
goodbyes.


Europe Journals – Part III

Europe Journals
Tim Donlan

Part III

Nice
9/16/04

Today drained like a sticky, smelly, late summer day. All the
rough edges of the world causing abrasions. Annoyances.

The day started with miraculous coincidence. We ran into Josh’s
friend from Princeton on the way to the beach. We weren’t even
expecting to see him in Nice, and there he was, trudging along
the street with a heavy backpack. Franco the Tanko. He had
disappointing news – he had been playing for a division IV
soccer, but had been kicked off the team for late paperwork. Fed
up with Italy, he rented a car and drove the windy cliff side
roads to Nice, Fance. And here he was, slapping fives with
Kaplan.

Franco went and got some food and drink to assuage a brutal
hangover, and Josh and I continued down to the beach. It was
nothing to write home about, just as my guidebook revealed. The
actual beach was made of smooth stones, with interesting grains
and patterns. The waves crashed and sucked back through the piled
stones, make an odd wheezing noise. Getting into the water was
difficult, as the crashing waves flung hard rocks into my feet
and ankles.

Once Franco came back, we figured out it would be cool if he
could drive us to Monaco in his rented car, and then drive us
down to Cinque Terra the next day. After a relaxed stroll through
the cafes and busy streets, we made it to the parking deck where
Franco had his car.

Passenger side window busted in. Little crumbles of glass all
over the seat and floor. Franco stands with his jaw agape before
initiating a flurry of curses. Bad luck to cancel out the morning
miracle.

Those nights in Nice, we end up drinking cheap wine with a
middle-aged lawyer from Tennessee, talking about travel, European
economics and politics, America, and everything in between.
Kaplan and I stay up late into the night bantering over
philosophical futility. And then Josh almost convinces me I
should drop my girlfriend.


Saving Inside Jokes for Posterity:Desperate tiny, annoying French lady on train:
“Shteeeven….Shteeven Please!”

Josh says: “Your middle name is Lou, as in The Great Greg
Lougayness. TGGLG”


Cinque Terra
9/17/04We trained into Cinque Terra today, watching the exquisite
postcard images of the coast scroll by. These are motifs of red
stone and houses crumbing into the gleaming sea. We arrive at
Monterosso, a very small and quaint town – perfect for our
vacation within a vacation.

Me and Josh have started to get in a routine. We roll out of
bed in late morning and get something to eat, usually
massive slices of focaccia, then stroll over to the beach. We
might go for a dip or hike around the coastline, till we reach
the cliff walls.

For dinner we’ll head down to a nice restaurant and get pasta
or lasagna and Mineral Water. On the walk back, we’ll get gelato
cones, then pick up a few liters of cheap red wine.

We get shitty under the stars, pissing into the rocks,
chain-smoking Camels. After 11, the town all but shuts down. All
that’s open is a single bar filled with Americans studying abroad
and rowdy Italians. Seeing so many Americans reminds me of that
movie The Beach. Traveling halfway around the world to a
beautiful secluded place to go to a bar and chill with other
Americans.

I did feel a little sick here. Maybe it was some bad food in
Nice. It’s important to remember not to romanticize the past.
These places of beauty were constructed from the blood, sweat and
tears of those in the middle ages. I can imagine the toil it took
to built these outposts and towers on the cliffs, or till the
hard rocky earth into vineyard terraces.

Fearful doubt and feelings of mortality were very strong
yesterday. Being in a place so beautiful, yet unsure of myself,
queasy, worsens the doubt. It makes the entire trip tangential,
diversionary, a calm before the storm of my life. And I can see
my envious reflection in Kaplan’s silver platter.

I wonder if his optimism is real or manufactured? More and more
I’m realizing it doesn’t matter. There are benefits to instilling
“Conservative” precepts: cause and effect, capitalism,
harsh realities; rather than blind open-mindedness, equality and
helplessness.

I’ve been genuinely thinking of living a pious, monastic
lifestyle, not to assuage any wrath of God, but for the above
reasons – to lessen the swing factor of psychology that vices
instigate. Because I am desensitized, relativistic, godless -
there are hints of darkness in my soul. It’s something I struggle
with, and perhaps if I wasn’t as blessed or lucky, it could
consume me.

What’s better – to indulge vices and impulse, or resist
self-imposed temptations meaningfully?


9/18/04Monterosso fits every idea I had of rural Italy, beautiful and in
a way still untouched. I see small boys pulling along a chain in
a bustling street. Stray dogs trotting together in the dust.
Produce stands heaped high with red tomatoes and peppers, green
apples and pears, orange nectarines, purple plums. A friend of
the hostel owner shows me the barrels of wine fermenting in his
basement, tries to sell me a bottle for 10 euros. It’s too rich
for my blood, but he still shakes my hand, calls me
“boyo.”

I see sharp cliffs topped by steep walled castles. A WWII
pillbox left as an antique remnant – still pockmarked with shell
holes.

At night, we burrow under the cliffs, blocking out reminders
of electricity and civilization, watching the ancient
constellations, and dust immolating itself in the atmosphere,
shooting into our consciousness. Listening to the lapping of the
black water at our feet.

There’s a cool dark wind at my back, and I leave Josh and some
girl behind, searching out to find fear. Just like the suburb in
the north of Paris, alone in the night. I climb up the maze of
stairs into the tree-covered apex of Monterosso.

These are cobblestone pathways and narrow stairs, looking out
over the warm city, but ever so dark. I’ve heard there is an old
cemetery up here.

I strafe around a blind corner like Wes Craven’s camera, fear
slowly inching into my blood. There’s a stark silhouette of small
angel crouched at the top of some stairs, grinning like a
gremlin. Above, a Christmas light garnered cross – a waypoint to
the heavens in this Mediterranean paradise.

The wind blows and I am alone. Many dangers could be revealed,
from drunken thugs with shivs to ancient demons from Dante’s dark
imagination. I breathe deep and suck in the breeze, almost
smiling. Then I turn back, walk down and find Josh.

Eventually Kaplan and me storm the cemetery on adrenaline,

reaching the misty top just to say we could.


9/19/04Went cliff jumping into the cool Mediterranean today, scrambling
up over brown coral, barnacles and slimy green seaweed dancing in
the currents. Up the sharp dusty rocks, tearing our feet to
shreds. Then a scream and a grin, hanging in the air with a
cloudless backdrop, and we plunge in again, two jewels singing
out for single gleeful moments.

We do flips and 720s off the coast of Italy, and I realize
this is the end of summer.

And these lyrics drift into my ears as though they were
written just for me:

Up on a hill, as the day dissolves
With my pencil turning moments into line
High above in the violet sky
A silent silver plane – it draws a golden chain
One by one, all the stars appear
As the great winds of the planet spiral in
Spinning away, like the night sky
In the million insect storm, the constellations form
On a hill, under a raven sky
I have no idea exactly what I’ve drawn
Some kind of change, some kind of spinning away
With every single line moving further out in time

And here
And there
Spinning Away…


Europe Journals – Part IV

Europe Journals
Tim Donlan

Part IV

Rome
9/21/04

We got into Rome and started a whirlwind sightseeing tour with
Josh’s Mom. The metro is so packed there are security guards
holding back people from getting on the hot smelly cars. The
orange graffitied trains pull up like some nightmare, choking
full of sweaty heads, arms, legs and conversation.

Some smooth-tongued gypsy cafe owner outside Vatican City majorly
ripped us off. 44 Euros for 3 slices of pizza and 3 drinks!
Ludicrous. We were pissed so skipped the Sistine Chapel and went
to St. Peters Basilica. The outside reminded me of Louvre in
Paris, with tall statue topped walls creating a huge plaza. We
had to wade our way through herds of Japanese tourists though.

St. Peters was very exquisite, though it was surprising to see
such grandeur in worship of church leaders. Instead of crosses
and crucifixes, there were marble statues of popes. During the
height of the Vatican, these figures truly were emperors.
Michelangelo’s Pieta seemed small, milky marble with hints of
ivory brown. A black marble statue of St. Peter was also very
interesting – the erosive force of millions of believers, rubbing
the toes, wore the details away. Peter’s feet were a polished
plateau, as though melted. I added my own appropriate polishing
rub.

Light filtering in from the upper windows was also quite
breathtaking. What better spiritual metaphor than the distinct
rays of the sun, slicing a silky sash across gold and marble
relics?

The number of allusions to skulls was also somewhat disturbing
- a reminder of the brutal, harsh and morbid times. These
skeletons often held an hourglass, sometimes broken: through the
church – victory over death.

Two sets of massive stone doors also depicted the reality of
these times – saints being crucified, hung, tortured, torn and
cut apart. It was grisly art to see at a place usually adorned
with loving and benign imagery. It was also somewhat
disheartening to realize the church would turn around and use
such violence on infidels during the Inquisition and other bloody
times.

Seeing the Coliseum reminded me of a conversation Josh and I
had earlier. What’s worse – to die in a gladiatorial spectacle,
or be a part of some ugly human experiment ala Joseph Mengle? I
said the industrialized horrific science of the Nazis was far
more disturbing. Josh explained that scientific knowledge gained
gives such experiments “validity” – from a utilitarian
standpoint. But gladiators weren’t forced to die – they survived
on their own merit and reaped glory. In such brutal times, such a
death could be envied. Similar to what soldiers do – sacrifice
their life for the nation – gladiators / sports heroes / matadors
sacrificed themselves gloriously for the crowd.

At night, the Rome streets reminded me of rouges sneaking
around, secret societies and guilds, powerful cardinals – a
setting for some Neal Stephenson type adventure.

It was one last night of drinking with Kaplan in his hotel
room, watching Italian television. We got our wine at a super
cool wine shop opened in 1880. Bottles were dusty, from the 60s,
some hundreds of euros. Some were in cool glass bottles, blown
into the shapes of woman’s heels, tobacco pipes, vases. There was
a series featuring labels of dictators from WWII. The owner was
extremely nice, filling plastic coke bottles up with wine for
only a few euros.


I get back to the hostel at 12:30, tipsy and walking through
the dark streets. My room has nine bunk beds, all filled, split
between two sets. A clan of Japanese backpackers is still up in
the first section, lights on, fiddling with laptops, cameras,
cellphones. The other section, with my bed, is dark and full of
sleeping bodies. I sneak in, toss my stuff in the corner, throw
sheets on the top bunk, and then climb up. I take off my pants
and shirt in bed, but I can tell the bunk is hopelessly flimsy. I
move my arm and the whole things sways like a hammock. Turning
over must be a 7.0 quake for the guy below me, and I’m a light
sleeper, always tossing and turning. The mattress is so creased
in the middle – I feel like a taco.The bed continues to shake and rock as I try to get situated, but
the room is full of stale, sticky heat and sweat drips from my
pores. Plus the Asians are still up, making a racket, flooding
our room with light.

Past 1:00, the guy below me must have woken up and had enough. He
gets up, bleary eyed, with a buzzed head and a green soccer
shirt, says nothing but looks at me.
“What’s up,” I say. He replies with silence, instead
reaching up and grabbing the bare flesh of my calf. “What
the fuck?” I think. I realize the shitty bunk has battered
him below. I wonder where the hell this dude is from, to grab my
bare leg. Definitely not American.

“Hey man, this bed sucks, it shakes way too much.” The
guy still says nothing, pleading with bleary eyes. Eventually
lets go of my leg. God damn him.

What did he expect, getting into an 18-person hostel room? I
can’t sleep myself because of the mattress, the Asians, the heat
and the light. Fuck him if he can’t handle being in a swaying,
jittering bed on top of that.

It turns out the bathroom is hideous as well – filthy from being
used by 18 people. That’s what you get, though, for 18 euros in
the center of Rome. At least it has free Internet.

Now that Josh is gone, I can get some more stuff done, move at my
own pace. I’m doing laundry now, which was starting to reek.

Next mission: find cheap grub. If I wanted, I could run over to
the Vatican to watch the pope address the crowds. I only have 15
minutes though, and I doubt my clothes will be dry. He’s just a
senile guy in white robes, giving a hand signal, bolstered by
beautiful architecture from a glorious past.


9/22/04I went to the Sistine chapel and Vatican museum today. Many of
the prior observations I had about the history of Catholicism
were confirmed and strengthened on this journey to the Vatican.
In Notre Dame I was astounded and proud of the power in view,
here I neared disgust.

On the way there I once again saw a beggar woman, draped in black
dirty rags, face hidden, only a small plastic cup and prayer
beads in her hands. She was hugging the wall of the Vatican,
repeatedly bowing and praying, all the while prostate before the
countless masses streaming by on the way to tourist attractions.

Here was a woman whose faith has brought her down into the dirt
like vermin, and yet her mind was turned “heavenly.”
She has no chance to exercise her mind, be industrious, do
physical labor, create artistic or clever new things. She isn’t
earning her alms like the glum faced, slick haired Italian kid,
wearing his favorite soccer superstar’s jersey, pumping away at
an accordion. No, she is humping a wall.

From this standpoint, religion has crippled her as a human being.
I can say nothing of her spiritual life. The memeset of
Christianity plugged into her personality matrix and rendered a
subservient worm.

And from what I saw in the Vatican, such a constituent would make
a fine peon to build an Empire. And that’s exactly what the
Vatican was, with the Pope a pseudo deity, sinless and
infallible, the highest link in the chain of communication with
God.

Like St. Peters, room after room was sanctioned and sponsored by
Popes. It’s like giving money to a University to build something.
Sure you gave back to the institution, but you got your name set
in stone on something permanent.

The permanence attained by the popes in the Vatican is
staggering.

Many pieces of artwork struck me as being politically motivated,
rather than spiritual. A massive piece by Raphael, depicting
countless priests, bishops, nobles, dignitaries and the Pope,
with a heavenly host singing above. The pope had an innocent
face, staring upwards. But many of the other VIPs revealed
jealousy, boredom or downright maliciousness.

In a hall of tapestries, half depicted the tales of Christ, from
the Christmas story to the crucifixion and resurrection. The
other side showed popes making political moves, besting rivals,
constructing additions to Vatican City and Rome.

The longest hall in the Museum was lined with glorious maps of
Italy. Great Naval battles were illustrated, certainly a
strategic resource for so wide an Empire.

Another interesting Raphael piece was that of a gleaming haloed
cross in an empty hall, the shattered remains of a Roman statue
before it.

Yet another masterpiece by the sai wielding ninja turtle showed
Constantine in battle, slaying a pagan king, and thereby
christening the Holy Roman Empire.

What would humble Jesus think, or even the disciples, if they
realized they would not overthrow Rome, but become a new Roman
empire?

In the winding passageways and deep stairwells on the way to the
Sistine chapel, lots of art was displayed, from Renaissance to
contemporary eras and styles.

There were some very beautiful and intricate bronze statues,
including a massive ball / globe that appeared to be made of
interlocking gears. The entire thing revolved like a globe, and a
tour guide even referred to it as a death star. I would have liked
to see the inner gears churn, because I think the intricate
workings of such machinery is beauty on the level of art.

There was another bronze piece titled the Tower of Babel -
about eight feet high. The crusty details and unsymmetrical
chaotic style truly captured the evil and malcontent hinted at in
the story.

Some of the abstract art was especially stunning, because of the
use of stark colors and strong themes. Renaissance art is often
painted with a dark palette. When pastels are used it looks odd
and unrealistic – such as the sky in the Sistine chapel. One
chilling painting used reds, greens and purples in a Pablo
Picasso style to show the crucifixion. The cross itself was
composed of many rectangular blocks, giving it a blending look.
Because of the methods of the abstract painting style, it became
difficult to determine where one entity began and another ended
The disassembly of reality created a new poignant interpretation
of the crucifixion event.

Another revealing painting used blues and blacks to show a cross,
but not of wood. This cross was mechanized like a war machine,
with metal gears and spokes, engine pistons and rifle barrels. It
would have been especially powerful in the 1960s, showing how the
implements of destruction had shifted, but the central meaning
remained.

The actual Sistine Chapel, I guess, was underwhelming. A few
thousand tired gawkers chattering away on cell phones and
snapping pictures, negated much of the awe factor. I tried to
imagine being Pope Sistus upon completion, slowly rising up the
stairs, robes flowing, to meet an exhausted Michelangelo, paint
in his beard. I tried to imagine the silence, the height and
enormity of the project, the grandeur and the sacrifice of a
genius artist. The Last Judgment – a supernatural battle between
the forces of heaven and hell for the souls of mankind – seemed
exactly the kind of challenge the church empire would want to
embrace.

I’m sure the Pope felt smug in his robes, picking out an
especially lucky saint basking on some cloud with harp strumming
angels to represent himself. The uncleansed masses would need his
guidance, yes, and some even would be dragged down to the depths
by demons and snake clad Lucifer.


Europeans espouse traditions because their heritage is so
glaringly large, it’s impossible to ignore. In colonial states,
like America and Australia, history is only a handful of
centuries long, not millennia. The dominant architecture and
infrastructure in America was made this century.

In Rome, the exquisite antique stores selling gold and ivory
oriental imports are nestled in dark windy passages. The same
place they’ve been for hundreds of years. The plazas commissioned
in wheneverthefuck B.C. are still booming with business, bustling
with gelatarias, restaurants, art and food stands, and tourist
trinkets. Even new ventures like McDonalds have marble facades
and Corinthian columns.

Rome is a city that is “done” in a sense very different
from Atlanta, or even New York. America is always under
construction; Europe is under renovation. They don’t start from
scratch; they adapt and incorporate.

I think this “enduring” factor gives the inhabitants a
healthy dose of humility. On the streaming highways of America,
pounding the concrete in my car with my music, I have no sense of
my own insignificance. I am King of my own universe, in a world
of strip malls, Cineplex’s and billboards.

In Rome, I take one look at an eroded statue or archway, and I
realize almost everyone who made this place is now dead and gone.

So what do you do, in this place of grand traditions? Be
contented to do the same as has been done before you. Take up
father’s business. Cheer for the same football teams. Happy and
complacent with a small place in the world, because grandeur has
been done, and you’ll never match it.


The thing about Rome is that every possible square inch has
been grabbed up by a building. It’s difficult to find parks.
Eventually, I stumbled upon one and made myself some dinner. It’s
been tough to stay cheap, especially without a kitchen. I have a
bag full of rice, ramen and soup that are useless to me. One more
day in Rome, a day in Venice and I am through with Italy. I’ll be
heading north, to Austria and Germany next.I need to write a short story while over here. My reading
material is dwindling and I’ve got 12 days left. Yowzers.

Anyway, its dark in the park and the moon is shining. Time to
drink. So many cigarettes with Josh has given me an asthmatic
cough. Fuck that and fuck cigarettes.


9/23/04My last day in Rome. I ignored the sights and turned within. I
bought Heart of Darkness, a shitty pen and a notebook. I sat
around the hotel, read a few dozen pages, and churned out a half
decent story. The hard thing about this city is there are two
places to sit down comfortable and eat, read or write in a mile
radius of my hotel. Hell, I had to walk 15 minutes to the park
yesterday.

I’m still in recovery physically from the time spent with Josh. I
damaged my respiratory, digestive and dermatological systems.
Only now am I feeling better about it. Bad food, cigarettes and
salt water.

Anyway, tomorrow I go to Venice, then Innsbruck.


Europe Journals – Part V

Europe Journals
Tim Donlan

Part V

Venice
9/24/04

It was an overcast rainy and dreary day on the train. Left around
11 heading to Venice. Along the way, watched the fields roll by
and blow in the wind. The train encountered some mechanical
difficulties about an hour from Venice, so we sat there with the
car lights blinking and the trees outside blowing furiously.

Eventually I made it into Venice over a narrow bridge that seemed
mere inches above the water. I was absolutely clueless as to
where I was staying, so I bumbled around, lopsided pack on my
back, half full bottle of wine in my hand until I found an
Internet cafe. This was incredibly overpriced (3,50 to look up my
email and print directions). Anyway I’m back outside in the blowing
wind, hiking over canals of gray green water and dark, narrow
maze-like streets. Venice seemed very old and gray today, and the
facades of many historical buildings were tired and crumbling. I
quickly managed to get myself lost, and with the sun dropping
beneath the rooftops, things were beginning to look grim.

I crossed an empty, puddle filled
square, two stark trees struggling to grow out of musty plots of
earth. A few stores formed the outskirts of the plaza, so I
entered a Tabacci and bought a map. Thankfully, the kind
storeowner circled my present location and destination, and was
generally helpful, though he couldn’t speak a word of English.

With a “cio!” and a wave, I was out the store and on
the street, shouldering my burden and navigating the ancient maze
that is Venice.

The hostel, Palazzo Zenobio, was
located on a cold street that was sinking into the murky canal
waters. Instead of a welcoming sign, there was only a red painted
number and a monolithic green wood door. I timidly rang the bell,
said I was here for the hostel, and with a buzz, the heavy gate
yawned open.

The inside was very foreboding, and if I didn’t know better, I
could have sworn I was inside some corridor of the Vatican. The
floor was an intricate stone and marble mosaic pattern. Carved
Columns. Big, framed paintings and candelabras. And when I got
upstairs, a massive ballroom with mirrors, frescoes and an ornate
ceiling.

It turns out this place was once a palace for a Venetian family
from 1600 to 1700, and later, in the 1850s, Armenian monks turned
it into a collegio – a monastery. Now it was used as a hostel and
concert hall.

I have two Australian roommates that are headed to Innsbruck
tomorrow. I think I’ll tag along with them – getting up early,
dropping my bags at the station, and then quickly touring the
city before an 11:30 train to Austria. We’re all planning to stay
at the same hostel, so here’s to less hectic times.

One of the coolest things I saw in Venice was in the Piazza San
Marco. This is an old church with a massive courtyard. Thousands
of pigeons congregated here, sitting on the roofs and pecking
around the cobblestones. Suddenly, a tourist walks through the
center of the dense flock, and the birds rise into the air,
moving together. It is a fascinating sight, to see the patterns
they churn in the air. There is no central leader of the group,
yet the “signal” of the movement propagates through
every distributed organism, emerging into a symphony in the air.

If I could pick a visual metaphor
for the majesty of life, this would be it.


Innsbruck
9/25/04

The Aussie (pronounced Ozzie) roommates, both named Matt, turned
out to be very nice guys. They are both software developers who
run a small consulting company. They’ve been very successful
taking on projects for various industries. Currently they are
leading the pack in publishing software. We talked a while about
software dev in general, and one of the two Matt’s was telling me
that starting my own company was the only way to do what I wanted
and make “fuck you” money. It’s not out of the
question, but I think I need more programming experience first,
at least in industry level stuff.

The hostel is nice, though it’s rainy out. Innsbruck reminds me
of Chamonix, though bigger. The mountains have not yet appeared
from their shrouds of precipitation, though I did see the icy
veins of a glacier through one cloud break.

Within the dark brooding sky, the
sun looks trapped, its white fired chained.


I think traveling has instilled
laziness in me, like I want to melt into a seat in the pub and
inject good beer through my tongue. I am simultaneously tired,
buzzed, horny and bored – though mildly for all.

Looking in the fashionable stores along the Innsbruck streets, I
think I’m becoming attached to European style. Not terrible
Eurotrash stuff, but I think I’ll make some changes when I return
to the states. I especially think some of the girl’s fashion is
interesting and very sexy.

Tall Matt, the Aussie hacker, is on his 7th cigarette in this
pub, and we’re listening to German covers of 80s pop songs and
reading paperback novels. The beer is good – wheaty and sweet. I
think the sun is out so hopefully we’ll get outside and do
something within the hour. Might have to wait for Matt to burn
through his whole pack first.


9/28/04

When I wake, my piss throbs heard through my tubes, looks like
orange juice, and smells up the closet sized bathroom. I stagger
into the blinding sunlight, and suddenly the open sky and the
roaring mountains consume any hint of a hangover.

The last few nights I’ve gotten pissed drunk and talked with
various other English speakers about traveling, world politics,
and accents. It’s funny cause Aussies call Americans
“Seppos”, short for Septic Tank, cause we’re full of
shit. There is definitely a good-natured rivalry running through
the whole place.

One Aussie guy named Matt charmed us with his stories of
traveling in Africa, and some primal appeal was instantiated.
Europe is cakewalk and Africa is the real fucking deal. He told
us about almost getting mugged by twenty black guys upon setting
foot out of the airport. He explained how hotels are like
compounds, with 20-foot reinforced concrete walls, barbwire. He
talked about bribing border patrol guards with a pack of
cigarettes, when they were armed with AK47s and demanding $400
tariffs. And he talked about how you could basically live like a
king for dirt money, basically.

It reminds me once again of the Beach – there’s always a better
place to go, ballsier, more exotic and foreign. The threat of
danger is half the appeal. I just finished Heart of Darkness as
well – the Dark Continent has not lost any of its appeal or
danger in over a hundred years.

I did some good hiking yesterday, and was happily impressed by
Austria’s network of trails. These are real Hansel and Gretel
type shit forests. A few miles up, under the press of conifers
and the rickety cable car tower, there are well marked mountain
bike runs, trail signs and fresh springs. It was good to do some
strenuous physical activity considering I’ve been such a bloody
binger the last few weeks.


We ventured out into the city last
night, 12 of us, including the savvy Aussie Matt, a few other
Americans, a friendly French girl, and a Mexican that was
disturbingly similar to Akash. We got a few drinks and acted like
fools, and eventually Matt and I are sitting on a street corner,
drunkenly talking about deep issues. He reveals he’s gay, and I
say I completely understand. We talk about the logical reasoning
behind attraction, aesthetics and physical drives, and I talk a
lot of nonsense about hardwiring and innate ideas. It’s always
the same with gay guys. We can have this great conversation, and
then they play the gay card, as if the whole debate was a prelude
to a flirt. Were they testing the waters with me? Usually I’m
pretty empathetic, and try to see the world through their eyes,
but then they think I agree too much, and I’m a closet
homosexual. How wrong he was.

Perhaps they were just regular guys with strange sexual
proclivities and an emotional, open mind. Culture and herd
instinct did the rest. Matt, at least, wasn’t a big fan of the
entire flaming homosexual scene. But if you want to find other
guys easily, that’s the arbitrary culture and niche you’ll have
to buy into. Same with the bar scene – I hate it but I suppose
I’ll have to live with and accept it.

There’s some “Absence makes the heart grow fonder” type
shit going on with Stephanie. As much as I have these reasons for
disliking her, there are internal forces that make me feel very
fond of her. Beyond a physical lust, there is compassion and
intimate closeness I felt with her. Perhaps these feelings are
only flavors of her chains. It will be extremely difficult to
break away from her, and without stronger reasons, what’s the
point of tearing myself apart?

Off to Fussen now, without much of a plan, just plop down on a
train out of Austria, backpack and notebook beside me. Hopefully
I’ll see some cool castles, but really all I want to do is sleep.

This is my last week here. Munich will continue the binge fest,
and I think Amsterdam is going to be an all out Blitzkrieg.

As I was trudging up the misty mountains yesterday, I reflected:
“This is the calm before the storm.”


Fussen
9/29/04

I’ve finally gotten into some kind of confident routine with
traveling. To get to Fussen I had to switch trains with a
four-minute window, then catch a bus jam packed with middle
school kids. The trip only cost me 15 euros, and I managed to do
it all speaking German. I ended up stopping by the very efficient
tourist office, where they printed up a list of available hotels.
I stayed at this old woman’s home, which she had converted into
rooms for rent. Breakfast was part of the deal, and I was happy
to say I negotiated and conversed with her primarily in German.

The town and countryside is very beautiful and picturesque. I
hiked down to Romantique Road out of Fussen towards the two
nearby Schloss (castles). A quaint paved path ran along the road,
cutting through pastures and cold coniferous forests. All the
cows wear bells, so aside from the gentle breeze, there is always
a lazy ringing wafting through the air, like wind chimes.

A few kilometers distant, I could see the stark white walls of
Neuschwanstein rising out of the forest, a sheer rock face as the
backdrop. The sky was half overcast, roiling, and covering the
mountain peaks with mist.

I could imagine leading a Roman
caravan through these paths, wary of marauding Germanic hordes
ambushing me. Or a cloaked messenger, cantering on horseback up
to King Ludwig’s opus castle, chill air cutting into my lungs.

It is locales such as these that inspire imagination, a sort of
cultural memory, a romantic notion. That you could live a hearty,
peaceful life with cobblestone streets, pastures and mountains,
then sleep forever in a grass covered grave, the sound of
cowbells above a final lullaby.

On the train to Munich the next day, I see a boy on a train and a
girl on a horse, both charging across the Bavarian landscape,
eyes aligned, in love. The boy waves, and perhaps for a moment,
you think they can sprint together forever. Then the train picks
up speed, the horse breathes, and the two young lovers are pulled
inevitably apart.

It’s only imagination, but I could be that boy, in this land, a
hundred years ago. And even if it’s only a fantasy, the emotions
swell just as strong. Then it’s gone, and I smile.